Making of Interview with Valérie Six about patiance and the decisive moment capture at the Guggenheim Museum in Bilbao
Making of the Hose Interview with Valérie Six
“Hose” Photo by Valérie Six, Bilbao

About Valérie Six

Valérie is a award winning and internationally recognized urban fine art photographer based in Bordeaux, France. She is a master in observing and capturing finely balanced compositions of life happening in the urban environment. In our making of interview Valérie shares her insights, how developing patience can help getting more satisfying results when making photographs in public.

Making of Hose Interview

How would you describe your photography work in reference to what is commonly defined as street photography?

I feel more like a photographer working in the streets than a street photographer. I’m not a big fan of categories, to be honest, and I still don’t have a clear idea of what street photography can be. Am I a street photographer when I just take lifeless abstract images? I do think so! If the common denominator between street photographers is absence of staging, then I guess I’m one of them.

Actually, the reason why I shoot in the street is the consequence of several factors: first, the vital need to be and walk outside; secondly, a fascination since adulthood, for growing cities; then because the streets are the best observatories, from my point of view, of human behaviors and attempts for adaptations to our modern world; finally, because it is where I find all the raw material (light, architecture, passers-by …) to build my images.

Where and when did you make the photo, was it a new or familiar location to you?

I took this image outside the Guggenheim Museum in Bilbao and it was my first time there.

What was happening and why did you photograph the scene?

The light was fantastic and the architecture was perfect for playing, as I like it, with light and shadows… while inserting characters who will allow me to build a kind of theatrical scene, stirring the imagination a little.

Was it one spontaneous capture or did you make several exposures?

I had arrived a minute before and had been drawn to the man in the shade whose attitude -the face looking up to something that was invisible to me- had intrigued me.

Making of Interview with Valérie Six
Photo by Valérie Six, Bilbao

Then, immediately after, came the other man with the white plastic bag, who was also interesting because of the contrast his bag was making with the line of shade.

Making of Interview with Valérie Six
Photo by Valérie Six, Bilbao

The employee with the pipe emerged behind me less than one minute after the beginning of the whole scene. So, it all happened very quickly. I didn’t have time to adjust the focus and speed, but I was lucky to be able, as the man moved in the same frame as the first two, to take several shots.

Making of Hose Interview with Valérie Six
“Hose” Photo by Valérie Six, Bilbao
Making of Interview with Valérie Six
Photo by Valérie Six, Bilbao
Making of Interview with Valérie Six
Photo by Valérie Six, Bilbao

I stayed a little longer after to try other frames (like the vertical ones). In total, I spent 4mn at this spot.

Making of Interview with Valérie Six
Photo by Valérie Six, Bilbao

Did the photo came out as imagined or did something unexpected added to it?

As explained above, the selected scene was unexpected and I was so happy that it happened! It’s the part of luck of street photography. The most important for me in these moments, is to find the right frame to bring out mystery. I would have lost it by turning my body to the right, thus integrating a more confusing environment (a view towards a river). On this image, the clear lines and tones of the walls helps to focus on the man. I also like the fact that his uniform echoes to the colors of the background.

What camera, lens, flash and exposure settings did you choose?

As I knew that the museum would inspire me both for street photo and for architecture, I had taken my Fuji XT2 with a 16-55mm lens. At the moment I shot the man with the pipe, my settings were at 40mm, f/16, 1/250th, ISO 200.

Any post-processing?

Only basic ‘darkroom’ and luminance adjustments, as I shoot in raw, in order to strengthen the contrasts. There is no crop on any of these pictures.

Is there anything you took away/learned from making this picture?

I like this sequence because it shows the potential of a single scene. The time between the image of the first silhouette and that of the man with the white plastic bag, was only 15 seconds. The time between this second one and that of the employee pulling the pipe, only 45 seconds. And the last one in the sequence, came only 3 minutes later. So in total, I have spent a little more than 4 minutes at this location and obtained, from my point of view, 3 correct images. It reminds me that rather than running in all directions, it is better, sometimes, to linger in the same place, take time to adjust the settings, and look for everything that can be drawn from it.

Thank You for the Interview Valérie!

Links to Valérie Six

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